Thursday, May 17, 2012
Non Projects® is a record label dedicated to the support and discovery of Los Angeles' most innovative artists and composers. Mislaid within an ever-changing and confused recording landscape, Non Projects offers imaginative works of art and sound.
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From Downbeat, 1979
Brian Eno delivered the following lecture during New Music New York, the first New Music America Festival sponsored in 1979 by the Kitchen. His remarks were amplified by demonstrations from his own recordings; here we've attempted to excerpt the general sense of his more specific points.
The first thing about recording is that it makes repeatable what was otherwise transient and ephemeral. Music, until about 1900, was an event that was perceived in a particular situation, and that disappeared when it was finished. There was no way of actually hearing that piece again, identically, and there was no way of knowing whether your perception was telling you it was different or whether it was different the second time you heard it. The piece disappeared when it was finished, so it was something that only existed in time.
